‘Peter and Alice’ - Noel Coward Theatre - Saturday 25th May 2013

(Rated 8/5 ) 

Yes I know! 8/5 doesn’t really make sense in our ‘normal’, adult world, then again in a world of fiction and fantasy – in a child’s world – anything and everything is possible – and this restricted reviewer can fly to the giddy heights and give this production the best score she has ever given! Not that I/she tends to restrict herself anyway – I’ve gone to 7/5 for my previous favourites: The National Theatre’s The Curious Incident of the Dog in the Night-Time and Tennant and Tate’s Benedict and Beatrice in Much Ado About Nothing, but this truly is even better! This is exceptional! The performances of Dame Judi Dench and Ben Whishaw in this are the most moving I have ever witnessed! For many years that ‘honour’ went to Chiwitel Ejiofor’s Othello, when his anguish at Desdemona’s death by his own hand due to the dastardly deeds of his trusted Iago (Ewan McGregor) ripped at my heart. I was crying with him – and the intimacy of the Donmar Warehouse added so much to his sharing with us the audience. With Judi and Ben my heart was going through every single emotion it can possibly feel – from the joy and excitement of a child on an adventure in a wondrous world of the imagination, via the ecstasy of falling in love, through the devastation at the loss of your own children, the pain of crushing disappointment and abuse to the empty loneliness of isolation. I could almost say it beat faster as I felt the warmth of my blood rushing the good emotions through it, then cold slow pulses before it was ripped to shreds.
Yet I realise I haven’t even told you what this play is about. Perhaps it is unexpected that it comes from the pen of John Logan – author of James Bond movie Skyfall. Action movie this isn’t. But then again Skyfall was also packed with psychology and the relationships between adults and the ‘children’ taken under their wings. Here we have the stories of Peter Llewelyn Davies (Ben Whishaw) and Alice Liddell Hargreaves (Judi Dench), who as children inspired Rev Charles Dodgson – better known by his pen-name Lewis Carroll (Nicholas Farrell) and James Barrie (Derek Riddell) to write Alice’s Adventures in Wonderland and Peter Pan respectively. The play begins with the catalyst for John Logan to write it – when the real life Alice and Peter meet each other – they were both adults and preparing to appear before the public at an anniversary celebration of Alice in Wonderland. John Logan wondered what they might have said to each other…
What was it like to be the inspirations for these two characters? What is it like to be an expectation of something that isn’t really you? A ‘poor’ adult reflection of a ‘richly exciting’ fictional child. The child/ren who never grow(s) up both in books and in the readers’ minds. What is it actually like to grow up and leave that child behind? To face the painful reality of adulthood. Or not – to live in isolation and escape in your head because the real world is too much to bear. What were the ‘real’ relationships between Alice and Lewis Carroll and Peter and James Barrie? John Logan explores all this – partly based on research from biographies – and Ben and Judi show us with the most extraordinarily natural and true performance skills. In fact so convincing were they, that even at curtain call, neither seemed able to escape the world and lives they had created for us, and I then imagine took their time in their dressing rooms to do so. (They did not appear at the stage door afterwards.) And nor did the audience giving them a standing ovation loaded with smiles and tears.
Ben/Peter opens the play for us – coming on stage and nervously waiting for Judi/Alice to arrive. Ben conveys Peter with every single element of his being; his vocal expression, his body language; the way he holds himself, walks, the bow of his head, anxious hand gestures to push back his hair and… his eyes! I’ve never seen more expressive eyes. Blinking is a Ben Whishaw trait for sure - something he cannot fail to lend his characters – but there is such poignancy in how his eyes dart around, how they well-up with emotion, how they shine and then fade. He is exquisite; slight and yet so powerful. As is Dame Judi, who at one point has a line about how people don’t expect someone famous to be so small, which she delivers perfectly as she stands in her small exceptionally well-known self. She gives us an frail elderly lady needing a walking stick to a skipping and dancing young girl. She is gorgeously sensitive – so deep and honest as she takes us to the core of painful emotions, and then ever so subtle yet effervescent as she escorts us to the dizzying heights of jolly good fun. Another time Alice cries for a full five minutes creating, as she describes, a well of tears – as did Judi completely authentically. I wanted to get up on stage and hug her. And yet actually didn’t need to as audience and performers were completely integrated in this experience together all as one so it felt as though we were carrying each other anyway.
In some productions the ‘stars’ outshine their supporting cast. Not in this case. This was a beautiful ensemble piece bringing out the best in everyone. Olly Alexander energetically gives us the delightfully boyish Peter Pan and Ruby Bentall is the prettily inquisitive Alice in Wonderland, wondering at everything she witnesses. Stefano Braschi ably takes on all remaining parts.
And production father – director – is Michael Grandage from whom – especially following his superb 10-year stint at the Donmar Warehouse – we have come to expect genius. He does not fall short.
This is a must-see – though that could be difficult as it’s nearing the end of its run – Saturday 1st June – and is sold-out! Queue for returns if you can!

Peter and Alice – Review by TheRestrictedReviewer © 2013

‘Skyfall’ - Odeon Cinema, South Woodford - Sunday 18th November 2012

(Rated 4/5 )

A James Bond film carries a wealth of expectations for many people. I think it’s one of few franchises which brings people out to the cinema again, who may not have been in years. And this year being Bond’s 50^th anniversary makes it an even bigger deal. Those who love the films also have a favourite Bond. Mine has always been Sean Connery BUT I have also been very impressed by Daniel Craig, who has given us a different and refreshing Bond – a more emotionally aware action man, arguably a fitter-looking action man (!), and a more sympathetic character with the insights into his past we have been given. We understand more why he became ‘cold’, or rather I’d like to say highly protective of his feelings. And this Bond is vulnerable. You believe he can crash out, make mistakes, hurt even die. For me it’s no longer set in stone that he is going to be okay, unscathed, in the arms of a beautiful Bond girl at the end of the film. Though I should say that Bond girls are no longer girls, but rather woman with more character and more respectable clothing ;) And of all of them, the best for me, Dame Judie Dench, ironically does share the traditional embrace with Bond towards the end of the film… on which I will say no more…

The acting is stellar! Daniel Craig is still extremely good, and I have to say, is now challenging Connery’s top spot for me. Judi Dench is totally utterly adorable – yes I absolutely unashamedly adore her! – and in the film so much more as M than we have come to expect – in fact the whole story centres around her and challenges M both personally and professionally, making the most use of her stunning talents in subtle and highly natural emoting. We get more insight into her relationship with Bond and her other secret agents. This outing Q is played by Ben Whishaw – turning the character into an absolutely gorgeously young nerdy techie version – gosh I’m sounding so luvvy this time! Ralph Fiennes joins them as Mallory – to whom M has to report and be accountable. Ralph looks very dapper and shines nicely. There is a beautiful new Bond girl in Naomie Harris who has to take a shot aimed near Bond… maybe killing him?! And Rory Kinnear as M’s right hand man. And then we have Javier Badem making one of the best Bond Villains ever for me, by being subtly psychopathic, with some verging on oedipal issues thrown in.

And this is a very good film. Sam Mendes superbly directs as we’d expect. And there are plenty of the traditional Bond touches of action and chases and impossible dare-evil feats, and humour… though less of the latter - and actually I’d say Daniel Craig doesn’t deliver it quite as well as Connery, Moore or even Brosnan - and more poignancy and feeling. This Bond makes you think and feel and so isn’t quite the full-on escapism we are used to from the classic Bond films. But we have the return of the Astin Martin and there’s Q’s gadgets… even though Bond doesn’t seem as pleased by them or him!

Are we quite so pleased? Well in all honesty, I think this Bond will appeal more to some and less to others. And that’s not me sitting on a very high fence over which I might tumble into a waterfall to my death if I decide one way or another!

Skyfall – Review by TheRestrictedReviewer © 2012

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‘My Week With Marilyn’ - Vue Cinema, Leicester Square - Monday 30th November 2011

(Rated 4/5 )

This is a wonderful little film about real-life film-maker Colin Clark’s time spent working as third assistant director on The Prince and The Showgirl, starring Laurence Olivier and Marilyn Monroe. It features particularly beautiful performances from Michelle Williams as Marilyn and Eddie Redmayne. He is adorable as the young Colin, who becomes besotted with Marilyn and helps take care of her, so enabling her to produce her incredible performances. Also personally striking a huge note for me was Dame Judi Dench as Dame Sybil Thorndike, who contrary to Olivier’s reaction to her, encouraged Marilyn by asking her for help in reading lines together – such a lovely example of empowering someone! Michelle produced a truly inspired, sympathetic and gentle embodiment of Marilyn.

This is a gorgeous insight into Marilyn’s use of Method acting, which so conflicted with Olivier’s (Kenneth Branagh) use of technique from observation of people. Marilyn’s work was erratic to say the least. Many times she would be late for set, other times ill and unable to come at all, yet more times what she produced was wrong, mediocre or even bad. This maddened Olivier. Yet when in the zone – and as Paula Strasberg (played very nicely and humorously by Zoe Wanamaker) said it took her time to prepare – she was sheer brilliance. She was so vulnerable and in touch with a breadth of emotional range, which would even amaze Olivier. As he said towards the end of the film, while he and Colin watch the rushes of her work as The Showgirl, she was exceptional and yet had no idea how good she was, which made her even more brilliant.

The captions at the end of the film remind us that following this work, Marilyn made Some Like It Hot – her most famous and critically acclaimed performance. And Olivier also produced his best work on stage directly afterwards. Had they learned from each other in spite of their majorly opposing approaches?

My Week With Marilyn – Review by TheRestrictedReviewer © 2011

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