(Rated 7/5 )
So we have 2 lady leads again but this time in 2 different productions – ‘Frozen’ and ‘Marcella’ - yet linked by a single theme hence my writing about them together. And that theme child abuse and murder! Jolly really! Oh and I suppose another link is two supreme actresses who both started out in soaps; Suranne Jones as feisty Karen McDonald in ‘Coronation Street’ and Anna Friel as the ground-breaking lesbian and incest-abuse survivor/challenger Beth Jordache in ‘Brookside’. They are both of a rare breed who do well in soap and then even better when they leave. Rumour is Suranne will be making a return to ‘Corrie’ – maybe they’re concerned about ratings when the demise of Phelan finally comes ;)
So we have 2 lady leads again but this time in 2 different productions – ‘Frozen’ and ‘Marcella’ - yet linked by a single theme hence my writing about them together. And that theme child abuse and murder! Jolly really! Oh and I suppose another link is two supreme actresses who both started out in soaps; Suranne Jones as feisty Karen McDonald in ‘Coronation Street’ and Anna Friel as the ground-breaking lesbian and incest-abuse survivor/challenger Beth Jordache in ‘Brookside’. They are both of a rare breed who do well in soap and then even better when they leave. Rumour is Suranne will be making a return to ‘Corrie’ – maybe they’re concerned about ratings when the demise of Phelan finally comes ;)
Anyway both plays are profoundly horrifying and leave you
chilled and stunned. They explore the psychology of abuse – in various forms -
on all concerned.
In ‘Frozen’ by Bryony Lavery, Suranne plays the mother of a little
girl who has gone missing. Jason Watkins’s character turns out to be her abuser
and child murderer. And Nina Sosanya acts as a doctor studying the factors
which cause people to abuse. Taking place over a number of years, much of the
play is delivered in the form of monologues from each of those 3 – alone on
stage communicating as though directly to the audience or we act as witnesses
to their processes. We feel intrigued as to whether these three will interact
at some point. Suranne’s character fully engages us and with her highly
sensitive exceptionally natural emotional range we feel such empathy for her.
Jason is excellently creepy and repellent as the abuser – his perversion and
motivations feel so real – again excellently performed. It is down to Nina to
initially bring us into the play and as time proceeds involve us mentally – we already
are emotionally - as she presents her lecture on the psychology of abuse. This
involves neuroscience and the impact of abuse, stress and neglect on the human
brain. Ultimately we learn what may lead someone to harm someone else. This is
powerful naturalistic stuff and presents us with themes of emotional paralysis
and the way forgiveness can both help those who have suffered as a result of
abuse and as a catalyst for an abuser to reconnect with emotion even feel pain
and empathy for their victim.
‘Marcella’ in some contrast has much more of a surreal tone
to it and there seems little hope of forgiveness in its stark, brutal
scandinoir-type-ness. No surprise as it is written by the outstanding ‘The
Bridge’’s writer Hans Rosenfeldt. Whilst Suranne’s character seems to have had
a normal down-to-earth life before the loss of her daughter, Anna’s character
is a deeply disturbed mother with severe mental health issues. She is just as –
if not more – traumatised – even prior to the actions of the piece – than the
perpetrators of the crimes she is investigating in her detective work. As such
she struggles as a mother whilst we feel the full warmth of mothering from
Suranne’s character. However both also show remarkable strength and humanity.
‘Marcella’ raises some interesting, dubious and at times
horrific ideas as to how to prevent abuse – no spoilers here so I will say no
more! ‘Frozen’ is kinder and more compassionate about it though to what result?
Again no spoilers.
Though these both come with an emotional health warning – I
would highly recommend both dramas. Enjoy is not the word but they touched me
profoundly and I feel I have gained from experiencing them.
A little note on settings – TV is clearly your TV in your own
room J The
Theatre Royal Haymarket is a wonderful ‘oldy wordly’ classic theatre – with
lots of stairs – though I was told of a way to get directly to street level via
a back-entrance – and ornate décor. I have enjoyed many masterclasses held
there and recommend for students of theatre as well as audience members
interested in the theatrical process.
Frozen & Marcella – Review by TheRestrictedReviewer © 2018
https://www.standard.co.uk/go/london/theatre/suranne-jones-forced-to-leave-highly-draining-play-frozen-before-end-of-run-a3833271.html
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